Let’s abstract the thought

Miles Coote Artwork

The text develops as a queer methodology of language, bodies and encounters, and is empathetic to the ‘inclusiveness’ of Public Art. During the narrative, a group who have sought ‘Assylum’ in the UK explore the Liverpool Art Biennial ‘Touched’ (2010). The groups own subjectivity is explored as an exhibit: the artwork in the Biennial is described along with the groups impression of the queer art work.

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