The text develops as a queer methodology of language, bodies and encounters, and is empathetic to the ‘inclusiveness’ of Public Art. During the narrative, a group who have sought ‘Assylum’ in the UK explore the Liverpool Art Biennial ‘Touched’ (2010). The groups own subjectivity is explored as an exhibit: the artwork in the Biennial is described along with the groups impression of the queer art work.
Let’s abstract the thought
Elvis Presley (Queer Birds) Set
